SELECTED PROJECTS

Le-forme-del-tempo_Terme-Diocleziano_Installation_view_fotoEleonoraCerriPecorella10.JPG

Le Forme del Tempo, Installation View, Photo: Eleonora Cerri Pecorella

LE FORME DEL TEMPO_ THE SHAPES OF TIME

 

A conversation in pictures between Fabio Barile and Domingo Milella

curated by Alessandro Dandini de Sylva 

in partnership with Camilla Grimaldi and Greta Voeller

 

22 June–31 July 2022

 

National Roman Museum – Baths of Diocletian

Via Enrico de Nicola 78, Rome

www.museonazionaleromano.beniculturali.it 


 

“Knowing the past is as astonishing a performance as knowing the stars”, George Kubler wrote in his 1972 book The Shape of Time, which inspired the title of the exhibition of photographs by Fabio Barile and Domingo Milella that engages in a unique dialogue with the archaeological setting of the Baths of Diocletian from 22 June to 31 July 2022.

 

Curated by Alessandro Dandini de Sylva, the exhibition is a journey through geological, archaeological and present time. Following the first two chapters of the exhibition at the Centro Arti Visive Pescheria and the old Synagogue in Pesaro, The Shapes of Time now seeks a new connection with the Grandi Aule (Great Halls) of the Roman baths. The Shapes of Time at the Baths of Diocletian is produced by Istmo in partnership with Camilla Grimaldi and Greta Voeller.

 

The exhibition is a development of the conversation between the two artists, this time dedicated to the relationship between landscape archaeology and linguistic archaeology. In fact, the artists and the curator have envisaged the exhibition narrative as a dialogue between pictures and archaeological space, offering an archaic return to reflection and an in-depth inquiry into photography and the very act of looking. 

 

“The works by Fabio Barile and Domingo Milella are photographs that reflect time. Barile’s pictures show constantly evolving shapes, from the most remote times of the world and geology, while Milella’s have their roots in the stone of the archaic period, from the primitive to the present in a single glance,” the exhibition’s curator, Alessandro Dandini de Sylva, explains. “The theme of antiquity is evoked by the dialogue between the images on display, from the Pyramids of Giza and the Tomb of King Midas in Phrygia to the Campo Imperatore plateau and the Gorropu Gorge in Supramonte. The exhibition aims to use the conversation between the two artists to bring together silent geologies and talking stones in the quest for a shared archaeology.”

 

Alongside the photographs, The Shapes of Time presents a selection of archaeological artefacts, chosen with Stéphane Verger, the director of the National Roman Museum, with the aim of creating unexpected visual and semantic juxtapositions of the photographs, the Grandi Aule, and the fragments of time unearthed in the museum’s storerooms. 

 

Verger explains: “The Shapes of Time is the continuation of the National Roman Museum’s ‘Archaeology and Photography’ project, conceived to promote our archaeological heritage through the universal language of photography. The choice to display works from the museum’s storerooms alongside the photographs taken by Fabio Barile and Domingo Milella, allows us to highlight the importance of the relationship that exists between the museum and its contents and contemporary creativity. Moreover, the exhibition venue is the Baths of Diocletian, the ideal setting for a visual narrative dedicated to the passage of time, which allows it to engage in a ceaseless dialogue with the imposing structures of the halls of the baths and the artefacts.” 

 

The exhibition will also be a reflection room that, during the period of the event, will host a conference with archaeology writers and academics, and a children’s workshop conducted in conjunction with the Cartastraccia association. 

 

The Shapes of Time is accompanied by a book published by Fondazione Malaspina featuring a text written by the director of the National Roman Museum Stéphane Verger, and a conversation between the curator Alessandro Dandini de Sylva and the photographers Fabio Barile and Domingo Milella.

 

Acknowledgments

Schiaffini Travel SpA and Lexus Roma Nord | Main Sponsors

Grimaldi Studio Legale and Caffè Mauro | Sponsors

Fondazione Malaspina | Partner

Fattoria del Teso | Technical Sponsor


 

The National Roman Museum, founded in 1889, was originally housed in the Baths of Diocletian. It vaunts one of Italy’s most extraordinary artistic heritages that, between 1995 and 2001, was split between three further branches of the museum: Palazzo Altemps, Palazzo Massimo and the Crypta Balbi. These four locations allow visitors to discover Rome’s history, from the earliest settlements in Lazio to the splendours of the imperial age, up to the Renaissance passion for Roman antiquities that spawned the earliest collections. The National Roman Museum is directed by Stéphane Verger.